With a focus on practice, the conference emphasised the role of performances, workshops and installations as well as papers and posters. This year it became clear that ICLI has become an established platform for people operating in diverse sections of the arts to meet and discuss the embodied use of technology in live performance. The biennial ICLI conference is interdisciplinary and practice-based, unique in that it focuses on the role of performance interfaces across all of the performing arts.
The proceedings of the Live Interfaces conference ( ) are the outcome of a five-day gathering at the University of Sussex’s Attenborough Centre for the Creative Arts in June 2016. Published by the Experimental Music Technologies (EMuTe) Lab, University of Sussex, in collaboration with REFRAME Books, Falmer, UK, 2016.Įdited by Thor Magnusson, Chris Kiefer and Sam Duffy
Proceedings of the 2016 International Conference on Live Interfaces
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